大理大学学报 ›› 2026, Vol. 11 ›› Issue (7): 1-9.DOI: 10. 3969 / j. issn. 2096-2266. 2026. 07. 001

• 物质文化研究专栏 •    下一篇

物质文化研究理论述评

  

  1. 大理大学民族文化研究院
  • 收稿日期:2026-01-14 出版日期:2026-07-15 发布日期:2026-07-17
  • 作者简介:李陶红,特岗研究员,主要从事物质文化研究、族群与区域文化、生态人类学研究。
  • 基金资助:
    云南省中青年学术和技术带头人后备人才项目(202205AC160002)

A Critical Review of Theories in Material Culture Studies

  1. Institute of National Culture Research, Dali University, Dali, Yunnan 671003, China
  • Received:2026-01-14 Online:2026-07-15 Published:2026-07-17

摘要: 物质文化研究自20世纪七八十年代以来,已发展为跨学科领域,研究对象从人造物扩展至自然物、虚拟物,并在本体论
转向中突出“物”的能动性,形成以物为中心的认知框架。理论脉络兼具历时与共时维度:历时层面关注从文物、商品到技术之
物的演变;共时层面涵盖物自身、交换、象征与社会心性等多重视角。政治经济学、象征理论与本体论视角等在“物的社会生命
史”框架中相互融合,深化对人与物关系的理解。研究方法上,以人类学田野与民族志为基础,结合历史学、考古学等多学科路
径,构建多重证据链。展望未来,该领域将继续发挥跨学科优势,拓展至人工智能、数字物质性等新兴议题,深化对非人类行动
者的探讨,持续推动对物人交织世界的深入理解。

关键词: 物质文化, 理论, 方法, 多学科

Abstract:  Since the 1970s and 1980s, the study of material culture has evolved into an interdisciplinary field, with its scope
expanding from man-made objects to natural and virtual entities. In the ontological turn, it has highlighted the agency of "things",
thereby forming an object-centred cognitive framework. The theoretical framework encompasses both diachronic and synchronic
dimensions: the diachronic dimension examines the evolution from artifacts and commodities to technological objects; the synchronic
dimension encompasses multiple perspectives, including the objects themselves, exchange, symbolism and social mentality.
Perspectives from political economy, symbolic theory and ontology are integrated within the framework of the social life of things,
deepening our understanding of the relationship between humans and objects. Methodologically, the research is grounded in
anthropological fieldwork and ethnography, combined with multidisciplinary approaches from history, archaeology and other fields to
construct multiple chains of evidence. Looking ahead, this field will continue to leverage its interdisciplinary strengths, expanding into
emerging topics such as artificial intelligence and digital materiality, deepening the exploration of non-human actors, and continuously
advancing our understanding of a world interwoven with objects and humans.

Key words:  , material culture, theory, methodology, multidisciplinary

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